第二届乌镇戏剧节特邀剧目之世界先锋特选——《追忆》

11月2日-5日沈家戏园

丹麦语、挪威语、德语、意第绪语演出（附中英文字幕）

欧丁剧团(丹麦)

文本：埃尔斯·玛丽·劳克维克、尤金尼奥·巴尔巴、法兰斯·温特尔

导演：尤金尼奥·巴尔巴

11. 2 – 11.5  Shen Estate Teahouse Theatre

Performed in Danish, Norwegian, German and Yiddish, with English and Chinese surtitles

Odin Teatret (Denmark)

Text: Else Marie Laukvik, Eugenio Barba, Frans Winther

Directed by Eugenio Barba

“音乐可以拯救人的生命。《追忆》是一部亲密的演出，观众（至多40人）坐在柔软的沙发椅上，形成半圆形。距离我们几公分而已，在一个灰暗、犹太客厅中，有着金色壁纸和金边的茶杯——坐着一个老女人和一位乐师。在以下的一小时内，他们歌唱，他们对观众诉说，用丹麦语、挪威语、德语和意第绪语，两个在纳粹集中营中的故事……这演出触动我们急切去记得——永远不可以忘记——这些事件。”——《柏林记事报》

“《追忆》绝对是欧丁剧场较容易理解的作品。这是笔者所经历最美丽的剧场经验之一。这是一个重要的作品，尤其是给我们这些无法记得二战残酷时光，不了解其人文后果的观众而言。在不过度渲染的情绪中说完两个故事，表演者将观众带入一个漩涡般的情绪——这就是追忆的痛苦，观众在此时才真正地感到恐怖。”——《霍尔斯特堡日报》

“Music can save lives. Memoria is an intimate performance where the audience (maximum 40) is asked to take a seat in soft armchairs, arranged in a half circle. Just inches from us, in a dimly lit, Jewish living room with gold wallpaper and gold edges on the tea cups -- sits an old woman and a musician. In the next hour, they sing and tell the audience, in a suggestive mix of Danish language, Norwegian, German and Yiddish, two testimonials from Nazi concentration camps...

The performance asks us urgently for remembering - never to forget - these incidents.”-- Berlingske Tidende

“Memoria is definitely one of the Odin Theatre’s more readily accessible pieces. It is one of the most beautiful theatre experiences that the undersigned has ever had. It is an important piece, especially for us who can not remember the terrible time during World War II and who do not know about the human consequences. After telling the two stories with unaffected pathos, the performers take the audience into a storm of emotions – This is the pain of remembering. And this is where the horror really hits the audience.”-- Dagbladet Holstebro

关于《追忆》

《追忆》是由欧洲先锋派代表——欧丁剧团所呈现的一场有音乐和歌唱的室内演出。它讲述了一个关于两个孩子——摩西和斯黛拉的故事。两个孩子被驱逐出家园后无法归家的困境，还有一个在树下唱歌的陌生人……剧中人以此来表达回忆的沉重负担和不能忘却的承诺。

这部剧作献给在奥斯维辛集中营里幸存下来，之后又自杀的作家普里·利未（Primo Levi）和简·埃默里(Jean Améry)。此戏将于古朴静谧的沈家戏园上演。这个关于摩西和斯黛拉的故事，它的原型来源于亚法·叶里阿奇的书作——《大屠杀中的哈西德教徒》。

《追忆》的每场演出，只允许40位观众入场观看。

About Menoria

Memoria is a chamber performance by the seminal European avant-garde theatre group Odin Teatret, with music and songs about the children Moshe and Stella. The play deals with the burden of remembering and the commitment not to forget, with the challenges of returning home after deportation, and with a stranger singing under a tree.

The performance, in the intimate environment of the Shen Estate Teahouse Theatre, is dedicated to the writers Primo Levi and Jean Améry who survived Auschwitz only to commit suicide later. The true stories about Moshe and Stella come from the book by Yaffa Eliach: Hasidic Tales of the Holocaust.

The show will only admit 40 audience members per performance.

文本：埃尔斯·玛丽·劳克维克、尤金尼奥·巴尔巴、法兰斯·温特尔

导演：尤金尼奥·巴尔巴

演员：埃尔斯·玛丽·劳克维克

音乐：法兰斯•温特尔

Text: Else Marie Laukvik、Eugenio Barba、Frans Winther

Director: Eugenio Barba

Actress: Else Marie Laukvik

Musician: Frans Winther

关于欧丁剧团

欧丁剧团于1964年在挪威奥斯陆创立，1966年搬至丹麦赫斯特堡时，曾改名为“北欧剧场实验室”，而今该团成员来自三大洲十二个国家。

创办人暨导演尤金尼奥·巴尔巴至今执导七十余部作品，其中多出长达两年以上的时间与演员蕴酿完成。1979年尤金尼奥·巴尔巴成立了剧场人类学国际学校，邀请世界各地大师开班授课，他担任国际戏剧期刊顾问等工作，著述勤奋，让欧丁剧团享誉国际，跻身为世界顶尖的前卫剧场行列。欧丁剧团长年固定举办的艺术节、工作坊、展演、座谈、论坛等活动，为世界各国实验剧场之朝圣地，不仅活络国际间剧场艺术交流，也使赫斯特堡跻身为国际知名剧场文化重镇。

身为全世界最受尊崇的实验剧场，欧丁剧团自创立起全面展开多元的剧场活动。欧丁剧团带着训练技巧、街头表演、即兴以及演出，与当地小区交换他们的舞蹈、音乐、歌唱、口说文学、传统甚至宗教仪式。尤金尼奥旅游世界各地与各地传统艺术经验交换的延展，他仔细观察峇里岛音乐，印度舞，日本能剧，中国京剧等，并撷取其中肢体、声音等表演语汇而成为剧场训练或表演题材的重要元素。这样的经验交换仪式，将欧丁带出欧洲大陆，足迹遍及亚洲、北中南美、大洋洲甚至非洲等近五十个国家。也影响八〇年代尤金尼奥创立剧场人类学及其学校。

About Odin Teatret

Odin Teatret was created in Oslo, Norway, in 1964, and moved to Holstebro (Denmark) in 1966, changing its name to Nordic Theatre Laboratory/Odin Teatret. Today, its members come from a dozen countries and three continents.

Odin Teatret’s almost 50 years as a laboratory have resulted in the growth of a professional and scholarly milieu characterised by cross-disciplinary endeavours and international collaboration. One field of research is ISTA (Inter- national School of Theatre Anthropology), which since 1979 has become a performers’ village where actors and dancers meet with scholars to compare and scrutinise the technical foundations of their scenic presence. Another field of action is the Theatrum Mundi Ensemble, which since the early 1980s presents performances with a permanent core of artists from many traditions.

Odin Teatret has so far created 74 performances, presented in 63 countries and different social contexts. In the course of these experiences, a specific Odin culture has grown, founded on cultural diversity and the practice of ”barter”: Odin actors present themselves through their work to a particular milieu which, in return, replies with songs, music and dances from its own local culture. The barter is an exchange of cultural manifestations and offers not only an insight into the other’s forms of expression, but is equally a social interaction which defies prejudices, linguistic difficulties and differences in thinking, judging and behaving.

编剧、导演：尤金尼奥·巴尔巴

本届戏剧节荣誉主席。

Playwright/Director: Eugenio Barba

Honorary Chairman of this year’s Festival.