第二届乌镇戏剧节之华人小剧场——《在日出之前说早安》

11月7日- 11月8日秀水廊剧园

中文演出（附英文字幕）

杨景翔演剧团（台北）

编剧、导演：杨景翔

11.7-11.8  East Warehouse Theatre

Performed in Mandarin, with English Surtitles

Presented by Yang’s Ensemble (Taipei)

Playwright & Director: Yang Ching-Hsiang

“随着情节一一暴露她们如何虚饰出青春外表，和谐表象下又如何勾心斗角；末了，更发现自己活在虚幻中，根本没真实自我。借着该戏，杨景翔表达对更年轻世代“为何不想长大”的关怀。”——《联合报》

“杨景翔的《在日出之前说早安》，是以日本美少女偶像团体AKB48为蓝本，于剧中他虚构了一个团体叫‘萝莉少女’，从自拍、注重外貌、少女团员间勾心斗角等桥段，意图对现代社会上已成主流的‘整形’、‘冻龄’意识型态提出批判与提问。”——《欣传媒》

“As we follow the plot we are exposed to the protagonists’ attempts to maintain their youthful appearance at all costs, and the intrigues underlying their harmonious pretenses. In the end they realize that they are living an illusion – there is no such thing as true self. Through the play Yang Ching-Hsiang expresses the real concern of the younger generation: “why they don’t want to grow up.”--- United Daily News

“The blueprint for Yang’s Morning,Morning is the Japanese girl group AKB48. The play’s fictitious Loli Girls take selfies, obsess over their appearance and plot against each other. Yang uses these aspects of mainstream culture to criticize and question the current trends of “cosmetic surgery” and “aging prevention.”--- Xin Media 

关于《在日出之前说早安》

台湾近年来创作戏剧的代表性作品。戏中打造的“萝莉少女”是当下众多偶像团体的写照。虚饰出的光鲜之下，是女孩们丧失自我的精神世界，以及彼此依赖却也彼此残害的脆弱关系……

令人赏心悦目的美少女团体——萝莉少女( Loli Girls )成军十年。在镁光灯下，三个少女成员习惯卖萌装与可爱，她们只要在一起便青春无敌，世界上好似就再无任何难题。然而再无敌的青春也有赏味期限……一段隐藏十年的单恋，在三人之间掀起了一场爱情风暴。冻龄少女的面具开始浮粉龟裂，再也遮掩不住可爱背后的矛盾与残酷。这是一场前所未见、考验着爱与友情的风暴。

在黎明破晓前，她们能否找到真心祈求着的爱与被爱？或亦是在日出之后，她们终将面临各自失落与孤独的存在…… 

About Morning, Morning

This piece is representative of current theatre in Taiwan. The “Loli Girls” provide a snapshot of many of today’s pop groups. Beneath their flashy appearance is a world in which the girls have lost their sense of self,  and a world with brittle relationships that are both co-dependent and cruel.

The pop group Loli Girls have been in the music business for 10 years. While under the spotlight, all three members of the group put their cuteness on display; it is as if their youth makes them invincible, as if there is no problem in the world they cannot overcome as long as they are together. Yet the invincibility of youth can only go so far. An unrequited love that has remained hidden for 10 years stirs up a mess of trouble between the three group members. The masks of these women who have been frozen in time begin to crack, and they soon crumble in the face of the conflict and cruelty that were hidden behind the cuteness. This is an unprecedented storm that tests the limits of friendship and love.

As dawn approaches, can they love and be loved in the way they so deeply desire? Or after the break of day, will they all find themselves lost and alone?

艺术总监、编剧、导演：杨景翔

演员：蔡佾玲、程钰婷、方意如

舞台设计：张哲龙

灯光设计：庄知恒

音乐设计：柯智豪

服装设计：林秉豪

舞台监督：张仲平

制作人：詹慧君、郑涵文

Artistic director, Playwright and Director: Yang Ching-Hsiang

Actresses: Tsai Yi-Ling, Cheng Yuting, Yi-Ju Fang

Stage Design: Ron Chang

Lighting Design: Zhuang Zhiheng

Music Design: Ke Zhihao

Costume Design: Lin Binghao

Stage Manager: Zhang Zhongping

Producer: Zhan Huijun, Zheng Hanwen

关于杨景翔演剧团

杨景翔演剧团是台湾近年来活跃于小剧场的代表性团队，由新生代编、导、演剧场鬼才杨景翔领军，与蔡佾玲、詹慧君、卡霞（Kate Stanislawski）于2013年共同成立，以“透析时代气氛，纪录当代现象”为目标，并且透过跨文化的角度和寓言式的文本来体现当代生活的样貌。团长杨景翔近年来在剧场界大放异彩，编导作品近二十部，包括深受年轻观众喜爱、连演三年口碑不断的《我为你押韵》；他的才华也横跨影视界，其编剧作品《阿戆妹》更荣获金钟奖戏剧节目奖入围最佳编剧之肯定。2012年，杨景翔代表台湾前往日本参与“利贺艺术节——亚洲导演竞赛”时深受启发，决心突破台湾剧场既有的创作方式，以探索的概念出发、演员与剧作家的有机合作为原则，试图发展台湾当代戏剧语言的独特性与可能性。2013年创团首作《在日出之前说早安》在两厅院新点子剧展一鸣惊人，获得业界良好赞誉。

About Yang Ching-Hsiang Ensemble

Yang Ching-Hsiang Ensemble is a performance team that is representative of Taiwan’s active role in small theater in recent years. Led by venerable up-and-coming writer, director and performer Yang Ching-Hsiang, the Ensemble was co-founded in 2013 by Yang, Tsai Yi-Ling, Zhan Huijun and Kate Stanislawski. Their aim is to “analyze the mood of the current times and record contemporary phenomena.” The ensemble explores features of the modern lifestyle through a cross-cultural perspective and fable-like texts. Artistic Director Yang has received significant attention in the theatre world in recent years, having written and directed nearly twenty works, including I Rhyme for You, a play that received rave reviews and has been wildly popular among young audiences for three straight years. Yang’s talents also extend to the film world, with his script Innocence receiving a nomination for the Golden Bell Award for Best Theatrical Script. In 2012, Yang represented Taiwan in Japan’s Togamura Arts Festival – Asian Director Contest. He was deeply inspired by the event and decided to break away from Taiwan’s existing creative methods. In the spirit of exploration, he embraced the principle of organic collaboration between performers and scriptwriters in an attempt to develop the uniqueness and possibilities of contemporary dramatic language in Taiwan. In 2013 the Ensemble’s inaugural work Morning,Morning took the cultural world by storm and was a major blockbuster at the New Idea Theater Festival held at the National Theater and Concert Hall.

编剧、导演杨景翔

近年来在台湾活跃的新锐导演，1981年生于台湾嘉义县，台湾艺术大学戏剧系本科毕业，台北艺术大学剧场艺术研究所导演组艺术硕士，师从赖声川老师。现为台湾艺术大学客座助理教授。

2012年代表台湾参与日本演剧人会议(Japan Performing Arts Foundation)举办之“亚洲导演戏剧节”，导演尤涅斯科（Eugène Ionesco）剧作《椅子》并获奖金资助；2011年于客家电视台连续剧《阿戆妹》任戏剧指导及编剧统筹，该剧入围第47届金钟奖最佳编剧、最佳戏剧等六项大奖；联合编剧作品：《黑猫大旅社》入选2011年高雄电影节闭幕片；2011年起连续三年受邀台湾两厅院新点子剧展，编导《据说有战争在远方》（2011）、《变奏巴哈─末日再生》（2012，导演作品，原剧名《变奏巴哈》，首演于1985年，由赖声川导演带领之集体创作作品）、《在日出之前说早安》（2013，编剧、导演）并以此剧受邀2014年第二届乌镇戏剧节。  

其他作品包含同党剧团《杏仁豆腐心》导演、创作社《我为你押韵─情歌》（2011年至2014年连续演出四年，2012年参与上海现代戏剧谷市民剧场演出，并于台北、高雄、中坜巡回演出，2013年入选华山生活节——焦点剧场，2013年及2014年受“两岸小剧场艺术节”邀请于北京演出）、创作社《档案K》导演； 栢优座《底比斯人》编剧、导演、“诚品声音多媒体剧场”《谁杀了我的孩子》剧本翻译、改编、导演、“新人新视野”《Untitled#没有抬头》、三缺一剧团《大家一起写讣文》、前进下一波剧场《太平洋疯人院》、台湾艺人馆《囚》、临界点剧象录《令人作呕的吶喊》。

演员作品包含： 创作社《拉提琴》演员（纪蔚然编剧、吕柏伸导演，于台湾两厅院演出，获选第十一届台新艺术奖年度十大表演艺术殊荣）；新人新视野《三十而立》演员（陈仕瑛导演，于两厅院戏剧院实验剧场演出，获第十届台新艺术奖第四季提名）； 创作社剧团《爱错乱》演员（刘守曜导演，于两厅院实验剧场演出，获第八届台新艺术奖提名，《联合报》评选2009年十大“错过可惜”表演节目）；上海国际小剧场艺术节《明天我们空中再见》演员（金士杰编剧，林如萍导演）； 诚品戏剧节——作家纪事，《月光玫瑰》演员。

Playwright and Director: Yang Ching-Hsiang

Emerging Taiwanese director Yang Ching-Hsiang was born in Jiayi County in 1981. Yang graduated from the Drama Department at the National Taiwan University of the Arts (NTUA). He also holds a doctorate from Taipei National University of the Arts, where he studied directing under Stan Lai. He is currently a Visiting Associate Professor at NTUA.

In 2012 Yang represented Taiwan in the Asian Director and Drama Festival organized by the Japan Performing Arts Foundation, where he received an award for his direction of the play The Chairs by Eugène Ionesco. In 2011 he was the drama director and screenplay coordinator for the Hakka television series Innocence, which was nominated for six categories, including Best Screenplay and Best Drama, in the 47th Golden Bell Awards. Blackcat Hotel, a screenplay Yang co-wrote, was shortlisted for the closing film of the 2011 Kaohsiung Film Festival. Since 2011, Yang has been invited to the New Idea Theater Exhibition at the National Theater and Concert Hall three years in a row. In 2011, he wrote and directed The Abandoner. In 2012, he directed Bach Variations: Rebirth. (an original work by Stan Lai) In 2013, he wrote and directed Morning,Morning, which will perform at the 2nd annual Wuzhen Theater Festival.

Yang’s directing and writing credits also include Almond Tofu by The Party Theater Group, I Rhyme for You: Ballad by the Creative Society (performed four consecutive years from 2011 to 2014, performed in 2012 at Shanghai Contemporary Drama Valley, tour covering Taipei, Kaohsiung and Chungli, nominated for the Huashan Life Festival at Focus Theater, invited 2013 and 2014 to perform in Beijing at the Cross-strait Small Theater Art Festival), K File for the Creative Society, The Thebans for Po You Set, Who Killed My Child, presented at the Eslite Sound Multimedia Theater, Untitled Presentation (with performer Tsai Yi-Ling) for “Young Stars, New Vision”, An Obituary Written, presented by the Short One Player Theater Troupe, Pacific Mental Institution with Next Wave Theater, Prisoner with the Taipei Artists Theater, and Nauseous Scream with Critical Point Theater Phenomenon. 

Acting credits include Playing the Violin by the Creative Society (written by Ji Weiran and directed by Lu Po-Shen, and performed at the National Theater and Concert Hall, it received an award in the 11th Taishin Arts Award); Thirty “for Young Stars, New Vision” (directed by Chen Shih-Ying, nominated in the 4th season of the 10th Taishin Arts Award); Touch Me, If You Can presented by the Creative Society (directed by Liu Shou-Yao, nominated for the 8th Taishin Arts Award, commended by United Daily News as a Top Ten “Not to be Missed” performance in 2009); See You in the Air Tomorrow, performed during the Shanghai International Small Theater Art Festival; and Roses by Moonlight during the Eslite Art Festival.